“I think people appreciated the honesty…people maybe like seeing that it's ok to be confused” he says. Agnes was me turning the camera on myself at the end of the record.” At first he was unsure if he wanted to release such a painfully revealing song but once the album was out, fans got in touch to tell Bayley how much the song had helped them. “I thought it was a bit unfair to do that to other people and not ask questions of myself. “I was asking people direct questions,” he explains.
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“You’ll see a Can T-shirt, a Justin Bieber T-shirt, a Korn T-shirt, a Grateful Dead T-shirt…”īayley figured that most bands’ second albums are informed by life on the road, for better or worse, so instead of writing about himself, why not tell the stories of some of the fascinating people they met? Each song on 2016’s Mercury-shortlisted How to Be a Human Being explore a different character until the overwhelming final track, Agnes, when Bayley opened up about losing a friend to suicide.
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“The T-shirts you see in the front row are mad,” says Bayley. They have since notched up over two billion streams, appeared on James Corden and Jimmy Kimmel, and toured the world to strikingly diverse audiences, from Glastonbury to Primavera and Red Rocks to Coachella. It was a modest debut (“We thought we’d go back to our jobs,” Bayley says) until the stealthily addictive Gooey became a platinum-certified viral streaming hit. It’s a memoir in the form of a song cycle, inspired by sonic maestros from Brian Wilson to Timbaland, and it holds nothing back.ĭave Bayley, Ed Irwin-Singer (bass), Drew MacFarlane (guitar) and Joe Seaward (drums) released their first album, Zaba, in 2014, on Paul Epworth’s Wolf Tone label. On Dreamland, at last, he throws off that reluctance and takes the plunge. “I’ve always hated the idea of writing about myself,” says Bayley, who is Glass Animals’ singer, songwriter and producer.
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How do you answer so many questions that cut to the heart of who you are? Well, Bayley sings in the very last line, “You go make an album and call it Dreamland.”
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At the beginning of the third album from London band Glass Animals, frontman Dave Bayley asks himself a series of questions about fundamental issues: identity, memory, love, friendship, the person you have been and the person you want to be.